May 24th, 2026
by Pastor Kent Keller
by Pastor Kent Keller
Community of the Broken (Life is Short. Live It Well.)
[Note: This was written in March, 2019.]
Last Sunday night I did something I rarely do anymore. I went to a concert by one of my favorite rock’n’roll bands, Switchfoot. I’ve listened to their music for almost twenty years but never had a chance to hear them in person, so I hauled my carcass up to Revolution Live in Ft. Lauderdale for the show. Even though my date (a twenty-year-old redhead who shall remain nameless) canceled on me at the last minute, it was well worth the trip.
To my surprise there were two warm-up acts, a solo artist named Tyson Motzenbocker and a band called Colony House. (The website that advertised Switchfoot’s appearance at Revolution Live said the concert started at 6:30 PM, but made no mention of anyone else performing. Oh well – bonus music.) Both were good, if very different in terms of style and genre. I mention this not just as background information but because it had an impact on something that happened later than evening.
Speaking of later … it was just after 9:00 when the main attraction took the stage. Revolution Live is a very intimate venue, and I had a great seat, maybe twenty feet from the stage, stage left. About twenty years ago I joined a fraternity very few of you will ever gain entrance to – I hope – and I have acquired a body of knowledge very few of you ever will. The fraternity consists of people with significant disabilities, and the knowledge has to do with how to negotiate the world while coping with those disabilities. I was with a handful of other people who needed ADA-compliant accessible seating.
A young man with cerebral palsy (CP) was sitting right in front of me, along with a caretaker. He had an extremely sophisticated wheelchair, sporting more gadgets and telemetry than I’ve ever seen – including a license plate that said “Rock Star,” a mirrored disco ball on the back and a plastic gadget labeled “Flux Capacitor.” Gotta love that. A young lady with major disabilities of another kind was to my right, along with her caretaker. She had a breathing apparatus that literally breathed for her, and also allowed her to “speak” with a very breathy, mechanized voice – think Darth Vader, but without the menace. A seeing-impaired man came in behind us along with his caretaker (wife?). There were a couple of others in that little section with disabilities I couldn’t identify specifically.
Between bands I had a chance to talk with the young man with CP, Korey and his caretaker, Chris, both terrifically nice guys. They had done all the modifications to the chair themselves, no small feat. Throughout the night all of us in that section moved in, moved over, moved back, whatever we needed to do to accommodate each other as needed. At one point Jon Foreman, lead singer and spokesman for the group – who spent about as much time singing and playing guitar in the midst of the packed audience as he did on stage – asked us all to reach out and join hands with the people on either side of us. No big deal for most people …but for those in our section, quite a challenge. Somehow we managed to accomplish the task, making an even tighter bond between us.
Now – this is where the later start for Switchfoot comes in: somewhere around 10:00 Chris, Korey’s caretaker, turned around to me and said, “I didn’t know this thing would go so late. We didn’t know there’d be anyone else playing tonight.” I told him I hadn’t either.
Then he said, “We took the train here. I hope this doesn’t make us miss the last train tonight. It’s at 10:40.” I asked where they had come from. “West Palm Beach,” he said.
“What part of West Palm?” I asked.
“Downtown,” he replied.
Looking at Korey’s very large chair, I said, “I drive a Ford Explorer. I think once I’m locked in we could get Korey’s chair, and you, in. I’ve gotten stranded before. I’ll make sure you guys don’t get stuck in Ft. Lauderdale tonight.”
Again, this was a Sunday night. Sundays are pretty long days for me without throwing in a late concert in Ft. Lauderdale. To be honest, I really, really hoped I wouldn’t have to back up that offer … but if I had to, I was going to. I’ll spare you the details, but I have been stranded in another city, late at night, wondering how the heck I was going to get back to where I needed to be. If it was within my ability I was going to be sure Korey and Chris didn’t have to face that prospect.
Around 10:20 they decided to leave (the Tri-Rail station is just a few blocks from Revolution Live), so I moved aside, shook hands with Chris, fist-bumped Korey and wished them well. Then I let the young lady with the breathing apparatus move up into the space they vacated. They asked if I didn’t want the space, as I was closest, but I could tell seeing Switchfoot live was probably Bucket List material for her, so I said, “Nah, I’m close enough.”
Joke’s on me: a couple songs later, Jon Foreman, singing “Live It Well,” climbed up onto the platform right in front of our seats and grabbed hands with everyone there, except me … which would’ve made a cool evening even cooler … but I can live without that. (I did get some pretty sweet, up-close-and-personal video.)
Life is short I want to live it well
One life, one story to tell
Life is short I want to live it well
And you’re the one I’m living for
Awaken, oh my soul!
Every breath that you take is a miracle
Life is short I want to live it well
Please, please, do yourself a favor and watch this YouTube clip: https://www.youtube.com/watch?v=oZcyOrNLlho.
Sunday night I had a rare, wonderful opportunity to participate in a community of the broken. We lived it well, if only for a few hours … a foretaste of another, better world where none of us will need ADA-compliant seating. And we’ll all grab hands effortlessly and sing even more beautifully than we did with Switchfoot that night. Forever.
Kent
If that clip whets your appetite for more of Switchfoot, and I hope it does, check this clip of “Love Alone Is Worth the Fight,” probably my favorite song of theirs:
https://www.youtube.com/watch?v=rk9Pj3ID0UE
For more on the band itself, visit their website: https://switchfoot.com.
Last Sunday night I did something I rarely do anymore. I went to a concert by one of my favorite rock’n’roll bands, Switchfoot. I’ve listened to their music for almost twenty years but never had a chance to hear them in person, so I hauled my carcass up to Revolution Live in Ft. Lauderdale for the show. Even though my date (a twenty-year-old redhead who shall remain nameless) canceled on me at the last minute, it was well worth the trip.
To my surprise there were two warm-up acts, a solo artist named Tyson Motzenbocker and a band called Colony House. (The website that advertised Switchfoot’s appearance at Revolution Live said the concert started at 6:30 PM, but made no mention of anyone else performing. Oh well – bonus music.) Both were good, if very different in terms of style and genre. I mention this not just as background information but because it had an impact on something that happened later than evening.
Speaking of later … it was just after 9:00 when the main attraction took the stage. Revolution Live is a very intimate venue, and I had a great seat, maybe twenty feet from the stage, stage left. About twenty years ago I joined a fraternity very few of you will ever gain entrance to – I hope – and I have acquired a body of knowledge very few of you ever will. The fraternity consists of people with significant disabilities, and the knowledge has to do with how to negotiate the world while coping with those disabilities. I was with a handful of other people who needed ADA-compliant accessible seating.
A young man with cerebral palsy (CP) was sitting right in front of me, along with a caretaker. He had an extremely sophisticated wheelchair, sporting more gadgets and telemetry than I’ve ever seen – including a license plate that said “Rock Star,” a mirrored disco ball on the back and a plastic gadget labeled “Flux Capacitor.” Gotta love that. A young lady with major disabilities of another kind was to my right, along with her caretaker. She had a breathing apparatus that literally breathed for her, and also allowed her to “speak” with a very breathy, mechanized voice – think Darth Vader, but without the menace. A seeing-impaired man came in behind us along with his caretaker (wife?). There were a couple of others in that little section with disabilities I couldn’t identify specifically.
Between bands I had a chance to talk with the young man with CP, Korey and his caretaker, Chris, both terrifically nice guys. They had done all the modifications to the chair themselves, no small feat. Throughout the night all of us in that section moved in, moved over, moved back, whatever we needed to do to accommodate each other as needed. At one point Jon Foreman, lead singer and spokesman for the group – who spent about as much time singing and playing guitar in the midst of the packed audience as he did on stage – asked us all to reach out and join hands with the people on either side of us. No big deal for most people …but for those in our section, quite a challenge. Somehow we managed to accomplish the task, making an even tighter bond between us.
Now – this is where the later start for Switchfoot comes in: somewhere around 10:00 Chris, Korey’s caretaker, turned around to me and said, “I didn’t know this thing would go so late. We didn’t know there’d be anyone else playing tonight.” I told him I hadn’t either.
Then he said, “We took the train here. I hope this doesn’t make us miss the last train tonight. It’s at 10:40.” I asked where they had come from. “West Palm Beach,” he said.
“What part of West Palm?” I asked.
“Downtown,” he replied.
Looking at Korey’s very large chair, I said, “I drive a Ford Explorer. I think once I’m locked in we could get Korey’s chair, and you, in. I’ve gotten stranded before. I’ll make sure you guys don’t get stuck in Ft. Lauderdale tonight.”
Again, this was a Sunday night. Sundays are pretty long days for me without throwing in a late concert in Ft. Lauderdale. To be honest, I really, really hoped I wouldn’t have to back up that offer … but if I had to, I was going to. I’ll spare you the details, but I have been stranded in another city, late at night, wondering how the heck I was going to get back to where I needed to be. If it was within my ability I was going to be sure Korey and Chris didn’t have to face that prospect.
Around 10:20 they decided to leave (the Tri-Rail station is just a few blocks from Revolution Live), so I moved aside, shook hands with Chris, fist-bumped Korey and wished them well. Then I let the young lady with the breathing apparatus move up into the space they vacated. They asked if I didn’t want the space, as I was closest, but I could tell seeing Switchfoot live was probably Bucket List material for her, so I said, “Nah, I’m close enough.”
Joke’s on me: a couple songs later, Jon Foreman, singing “Live It Well,” climbed up onto the platform right in front of our seats and grabbed hands with everyone there, except me … which would’ve made a cool evening even cooler … but I can live without that. (I did get some pretty sweet, up-close-and-personal video.)
Life is short I want to live it well
One life, one story to tell
Life is short I want to live it well
And you’re the one I’m living for
Awaken, oh my soul!
Every breath that you take is a miracle
Life is short I want to live it well
Please, please, do yourself a favor and watch this YouTube clip: https://www.youtube.com/watch?v=oZcyOrNLlho.
Sunday night I had a rare, wonderful opportunity to participate in a community of the broken. We lived it well, if only for a few hours … a foretaste of another, better world where none of us will need ADA-compliant seating. And we’ll all grab hands effortlessly and sing even more beautifully than we did with Switchfoot that night. Forever.
Kent
If that clip whets your appetite for more of Switchfoot, and I hope it does, check this clip of “Love Alone Is Worth the Fight,” probably my favorite song of theirs:
https://www.youtube.com/watch?v=rk9Pj3ID0UE
For more on the band itself, visit their website: https://switchfoot.com.
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